As the year 2024 draws to a close, it’s clear that Canadian reggae and dancehall music are experiencing a renaissance. This growth and energy were on full display at the Human Rights concert held on December 28 at BSMT 254 in downtown Toronto. The night was nothing short of magical, with a performance that left an indelible mark on all in attendance and a strong sense of optimism for the future of reggae in Canada.
BSMT 254, known for hosting some of the most intimate and electric reggae nights, bid farewell to the year with its final “Saturday Night Rockers” event. And what a send-off it was! The Human Rights delivered an unforgettable performance, showcasing their eclectic repertoire of roots reggae, dancehall, and soul-infused rhythms. Their sound is a testament to the band’s 17-year journey—a perfect blend of modern influences and the foundational elements of reggae.
From the first song to the encore, the energy in the room was palpable. The audience danced, sang along, and fully immersed themselves in the groove. The band’s years of experience were evident in their dynamic yet seemingly effortless performance.
Before The Human Rights took the stage, the crowd was treated to the smooth selections of DJ Chocolate. Her carefully curated playlist of roots reggae tracks not only set the tone for the evening but also carried nostalgic undertones that transported many to the golden era of reggae. Adding another layer of excitement to the night was emcee Clifton Joseph, whose lively persona and infectious energy whipped the crowd into a frenzy before the main act.
When the spotlight turned to The Human Rights, the band’s two sets featured standout performances from their dual vocalists, Treson and Friendlyness. Their synergy on stage was inspiring—a true demonstration of unity without ego. Both vocalists seamlessly traded the mic, blending their styles to produce a sound as harmonious as it was uplifting.
The band’s horn section added an ethereal touch, with saxophone and trombone notes enveloping the audience in a vortex of sweet sounds. Keyboardist Dave Jackson’s boundless energy bubbled over into the crowd, while the drum and bass formed a steady, hypnotic rhythm that kept the room in motion. The lead guitarist added the final flourish, filling the air with melodies that lingered long after the last note.
This historic night wasn’t just for fans—it attracted a host of Canadian reggae luminaries. Among the audience were legendary CIUT FM radio DJ and reggae archivist D B Hawks, guitarist Tony Barrett, and celebrated radio DJ Patrick Roots. Sound engineer Jeff Holdip, singer Aubrey Freisner, and several members of the Memberz Band were also in attendance, showcasing the community’s strong support for The Human Rights and their contribution to Canadian reggae.
The Human Rights’ performance was the perfect conclusion to a remarkable year. The band has achieved significant milestones, including winning the Top Canadian Reggae Group award at the innagural Reggae North Music Awards. Fans can expect even more in 2025, with a new single set for release on January 10, a full album dropping on March 7, and an ambitious tour schedule on the horizon.
As the Canadian reggae scene continues to grow and evolve, bands like The Human Rights are at the forefront, carrying the torch for the genre. Their performance at BSMT 254 wasn’t just a concert—it was a celebration of how far reggae has come in Canada and a reminder of the limitless possibilities that lie ahead.
